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| # | sentence_id;sentence;control;sentiment_label | |||||
|---|---|---|---|---|---|---|
| 1 | # -1 = negative | 0 = neutral | 1 = positive | |||
| 2 | 5;Presents a good case while failing to provide a reason for us to care beyond the very basic dictums of human decency.;;0 | |||||
| 3 | 6;Beautifully crafted | engaging filmmaking that should attract upscale audiences hungry for quality and a nostalgic | twisty yarn that will keep them guessing.;;1 | |||
| 4 | 7;Bread | My Sweet has so many flaws it would be easy for critics to shred it.;;-1 | ||||
| 5 | 8;Slow | silly and unintentionally hilarious.;CONTROL;0 | ||||
| 6 | 9;Ultimately feels empty and unsatisfying | like swallowing a Communion wafer without the wine.;;-1 | ||||
| 7 | 10;Exudes the fizz of a Busby Berkeley musical and the visceral excitement of a sports extravaganza.;;1 | |||||
| 8 | 11;The film rehashes several old themes and is capped with pointless extremes -- it's insanely violent and very graphic.;;-1 | |||||
| 9 | 12;Ryan Gosling is | in a word | brilliant as the conflicted Daniel.;;1 | |||
| 10 | 14;If Deuces Wild had been tweaked up a notch it would have become a camp adventure | one of those movies that's so bad it starts to become good.;;0 | ||||
| 11 | 15;The film's stagecrafts are intimate and therefore bolder than the otherwise calculated artifice that defines and overwhelms the film's production design.;;0 | |||||
| 12 | 16;Frida is certainly no disaster | but neither is it the Kahlo movie Frida fans have been looking for.;;0 | ||||
| 13 | 17;The film often achieves a mesmerizing poetry.;CONTROL;1 | |||||
| 14 | 18;A work of astonishing delicacy and force.;CONTROL;1 | |||||
| 15 | 19;The movie's plot is almost entirely witless and inane | carrying every gag two or three times beyond its limit to sustain a laugh.;;-1 | ||||
| 16 | 20;For the most part | the ingredients are there.;;0 | ||||
| 17 | 21;But if you've paid a matinee price and bought a big tub of popcorn | there's guilty fun to be had here.;;0 | ||||
| 18 | 22;There's not much to Fatale | outside of its stylish surprises... but that's OK.;CONTROL;0 | ||||
| 19 | 23;The acting is stiff | the story lacks all trace of wit | the sets look like they were borrowed from Gilligan's Island -- and the CGI Scooby might well be the worst special-effects creation of the year.;;-1 | |||
| 20 | 24;This version moves beyond the original's nostalgia for the communal film experiences of yesteryear to a deeper realization of cinema's inability to stand in for true | lived experience.;;0 | ||||
| 21 | 25;There's no palpable chemistry between Lopez and male lead Ralph Fiennes | plus the script by Working Girl scribe Kevin Wade is workmanlike in the extreme.;;-1 | ||||
| 22 | 26;A first-class | thoroughly involving B movie that effectively combines two surefire | beloved genres -- the prison flick and the fight film.;;1 | |||
| 23 | 27;The film is so bad it doesn't improve upon the experience of staring at a blank screen.;CONTROL;-1 | |||||
| 24 | 28;Weiss and Speck never make a convincing case for the relevance of these two 20th-century footnotes.;;0 | |||||
| 25 | 29;Another Best of the Year selection.;;1 | |||||
| 26 | 30;It's all a rather shapeless good time...;;0 | |||||
| 27 | 31;Same song | second verse | coulda been better | but it coulda been worse.;CONTROL;0 | ||
| 28 | 32;I love the robust middle of this picture.;;1 | |||||
| 29 | 33;That's not vintage Spielberg and that | finally | is minimally satisfying.;;0 | |||
| 30 | 34;The soundtrack alone is worth the price of admission.;CONTROL;1 | |||||
| 31 | 35;Mostly Martha could have used a little trimming -- 10 or 15 minutes could be cut and no one would notice -- but it's a pleasurable trifle.;;0 | |||||
| 32 | 36;For the rest of us | sitting through Dahmer's two hours amounts to little more than punishment.;;-1 | ||||
| 33 | 37;Featuring a dangerously seductive performance from the great Daniel Auteuil | ``Sade'' covers the same period as Kaufmann's ``Quills'' with more unsettlingly realistic results.;;1 | ||||
| 34 | 38;The movie is for fans who can't stop loving anime | and the fanatical excess built into it.;;0 | ||||
| 35 | 39;The Ring is worth a look | if you don't demand much more than a few cheap thrills from your Halloween entertainment.;;0 | ||||
| 36 | 40;Beautifully observed | miraculously unsentimental comedy-drama.;;1 | ||||
| 37 | 41;What makes How I Killed My Father compelling | besides its terrific performances | is Fontaine's willingness to wander into the dark areas of parent-child relationships without flinching.;;1 | |||
| 38 | 42;This hastily mounted production exists only to capitalize on Hopkins' inclination to play Hannibal Lecter again | even though Harris has no immediate inclination to provide a fourth book.;;-1 | ||||
| 39 | 43;Bullock's complete lack of focus and ability quickly derails the film.;;-1 | |||||
| 40 | 44;... a plotline that's as lumpy as two-day old porridge... the filmmakers' paws | sad to say | were all over this ``un-bear-able'' project!;CONTROL;-1 | |||
| 41 | 45;Crush could be the worst film a man has made about women since Valley of the Dolls.;;-1 | |||||
| 42 | 46;Reassuring | retro uplifter.;;1 | ||||
| 43 | 47;Flaccid drama and exasperatingly slow journey.;;-1 | |||||
| 44 | 48;The Movie will reach far beyond its core demographic.;;1 | |||||
| 45 | 49;How did it ever get made?;;-1 | |||||
| 46 | 50;I like the new footage and still love the old stuff.;;1 | |||||
| 47 | 51;It briefly flirts with player masochism | but the point of real interest -- audience sadism -- is evaded completely.;;0 | ||||
| 48 | 52;Could The Country Bears really be as bad as its trailers?;;-1 | |||||
| 49 | 53;At times | the movie looks genuinely pretty.;;1 | ||||
| 50 | 54;It depends on how well flatulence gags fit into your holiday concept.;;0 | |||||
| 51 | 55;The stupidest | most insulting movie of 2002's first quarter.;CONTROL;-1 | ||||
| 52 | 56;The film seems a dead weight.;;-1 | |||||
| 53 | 57;Sparkling | often hilarious romantic jealousy comedy... Attal looks so much like a young Robert DeNiro that it seems the film should instead be called `My Husband Is Travis Bickle'.;;1 | ||||
| 54 | 58;I did go back and check out the last 10 minutes | but these were more repulsive than the first 30 or 40 minutes.;;-1 | ||||
| 55 | 59;A lousy movie that's not merely unwatchable | but also unlistenable.;;-1 | ||||
| 56 | 60;One of the best films of the year with its exploration of the obstacles to happiness faced by five contemporary individuals... a psychological masterpiece.;;1 | |||||
| 57 | 61;A strong script | powerful direction and splendid production design allows us to be transported into the life of Wladyslaw Szpilman | who is not only a pianist | but a good human being.;CONTROL;1 | ||
| 58 | 62;But here's the real damn: It isn't funny | either.;;-1 | ||||
| 59 | 63;Qutting may be a flawed film | but it is nothing if not sincere.;;0 | ||||
| 60 | 64;It's a fanboy `what if?';;0 | |||||
| 61 | 65;... something appears to have been lost in the translation this time.;;-1 | |||||
| 62 | 66;Like a documentary version of Fight Club | shorn of social insight | intellectual pretension and cinematic interest.;;0 | |||
| 63 | 67;Stephen Rea | Aidan Quinn | and Alan Bates play Desmond's legal eagles | and when joined by Brosnan | the sight of this grandiloquent quartet lolling in pretty Irish settings is a pleasant enough thing | `tis.;;1 |
| 64 | 68;It's a powerful though flawed movie | guaranteed to put a lump in your throat while reaffirming Washington as possibly the best actor working in movies today.;;1 | ||||
| 65 | 69;An intriguing and entertaining introduction to Johnson.;;1 | |||||
| 66 | 70;Everything was as superficial as the forced New Jersey lowbrow accent Uma had.;;-1 | |||||
| 67 | 71;Despite the holes in the story and the somewhat predictable plot | moments of the movie caused me to jump in my chair...;;0 | ||||
| 68 | 72;`How many more voyages can this limping but dearly-loved franchise survive?';;0 | |||||
| 69 | 73;If only the story about a multi-million dollar con bothered to include the con.;;0 | |||||
| 70 | 74;It is supremely unfunny and unentertaining to watch middle-age and older men drink to excess | piss on trees | b.s. one another and put on a show in drag.;CONTROL;-1 | |||
| 71 | 75;Only a few minutes elapse before the daddy of all slashers arrives | still with the boiler suit and white mask | which look remarkably clean for a guy who has been mass-murdering since 1978 but has never been seen doing laundry.;;0 | |||
| 72 | 76;Showtime is one of the hapless victims of the arrogant ``if we put together a wry white man and a chatty black man and give them guns | the movie will be funny'' syndrome.;;-1 | ||||
| 73 | 77;Whatever heartwarming scene the impressively discreet filmmakers may have expected to record with their mini DV | they show a remarkable ability to document both sides of this emotional car-wreck.;;1 | ||||
| 74 | 78;A zombie movie in every sense of the word -- mindless | lifeless | meandering | loud | painful | obnoxious.;;-1 |
| 75 | 79;It has fun with the quirks of family life | but it also treats the subject with fondness and respect.;;1 | ||||
| 76 | 80;Novak manages to capture a cruelly hilarious vein of black comedy in the situation with his cast of non-actors and a gritty | no-budget approach.;;1 | ||||
| 77 | 81;Since Lee is a sentimentalist | the film is more worshipful than your random E!;;0 | ||||
| 78 | 82;The movie is almost completely lacking in suspense | surprise and consistent emotional conviction.;;-1 | ||||
| 79 | 83;High Crimes knows the mistakes that bad movies make and is determined not to make them | and maybe that is nobility of a sort.;;0 | ||||
| 80 | 84;But it's too long and too convoluted and it ends in a muddle.;CONTROL;-1 | |||||
| 81 | 85;This thing works on no level whatsoever for me.;;-1 | |||||
| 82 | 86;... a bland murder-on-campus yawner.;;-1 | |||||
| 83 | 87;"In comparison to his earlier films it seems a disappointingly thin slice of lower-class London life; despite the title... amounts to surprisingly little.";-1 | |||||
| 84 | 88;One of the finest | most humane and important Holocaust movies ever made.;;1 | ||||
| 85 | 89;Suffers from rambling | repetitive dialogue and the visual drabness endemic to digital video.;;-1 | ||||
| 86 | 90;The twist that ends the movie is the one with the most emotional resonance | but twists are getting irritating | and this is the kind of material where the filmmakers should be very careful about raising eyebrows.;;0 | |||
| 87 | 91;Angel presents events partly from the perspective of Aurelie and Christelle | and infuses the film with the sensibility of a particularly nightmarish fairytale.;;0 | ||||
| 88 | 92;Features one of the most affecting depictions of a love affair ever committed to film.;;1 | |||||
| 89 | 93;It is intensely personal and yet -- unlike Quills -- deftly shows us the temper of the times.;;1 | |||||
| 90 | 94;Even as I valiantly struggled to remain interested | or at least conscious | I could feel my eyelids... getting... very... heavy...;CONTROL;-1 | |||
| 91 | 95;... a solid | well-formed satire.;;1 | ||||
| 92 | 96;Deserves high marks for political courage but barely gets by on its artistic merits.;;0 | |||||
| 93 | 97;Read My Lips is to be viewed and treasured for its extraordinary intelligence and originality as well as its lyrical variations on the game of love.;;1 | |||||
| 94 | 98;... creates a visceral sense of its characters' lives and conflicted emotions that carries it far above... what could have been a melodramatic | Lifetime Channel-style anthology.;;0 | ||||
| 95 | 99;Reeks of rot and hack work from start to finish.;;0 | |||||
| 96 | 100;Just how these families interact may surprise you.;;0 | |||||
| 97 | 101;The Movie is what happens when you blow up small potatoes to 10 times their natural size | and it ain't pretty.;;-1 | ||||
| 98 | 102;Even a hardened voyeur would require the patience of Job to get through this interminable | shapeless documentary about the swinging subculture.;;-1 | ||||
| 99 | 103;Creepy | authentic and dark.;;0 | ||||
| 100 | 104;A lame romantic comedy about an unsympathetic character and someone who would not likely be so stupid as to get involved with her.;;-1 |